Is Documentary Photography at a Crossroads?

When the artist Minne Atairu began using AI to make glossy, Afrofuturist images, she discovered a dataset biased toward white women, unveiling the myth of the neutral algorithm.

In Paris, an exhibition presents Céline Laguarde as one of France’s most significant pre–World War I photographers.

The disruptive force of artificial intelligence, a fresh look at Robert Frank, and a retrospective of Tina Barney—here are this year’s highlights in photography and ideas.

Engman’s experiments with AI offer an indelible collection of “cursed images” inspired by a feeling of being nostalgic for the present.