For more than half a century, Celmins has produced absorbing paintings and drawings that are often inspired by—and mistaken for—photographs. Here, she speaks with Richard Learoyd about images, surfaces, and illusion.
Advertisement
Upcoming Events
The Latest
Reviews
A Biennial Carries the Weight of a World in Crisis
In the Emirates, the Sharjah Biennial convenes artists who speak about survival and solidarity at a time of dispossession.
Essays
Kunié Sugiura’s Genre-Blending Vision
Since the late 1960s, Sugiura has defied the expectations of the art world with hybrid, dreamlike forms that test the limits of photographic expression.
Essays
How Can Image-Makers Open Up AI’s Mysterious “Black Box”?
To mitigate the crushing sameness of AI imagery, two researchers are turning to photographs made during the Great Depression.
Reviews
How Photography Memorializes Dance
The choreographer Alvin Ailey created some of the most important dances of the twentieth century. But what is the connection between his distinct art and the ephemeral image?
Advertisement